Photo Portfolio

Jason Thompson @ Argyle Studio – A7rii
Chloe Dobson @ Rossleigh Studio – Rolleiflex 2.8e / Fuji Superia 100
Chloe Dobson @ Rossleigh Studio – A7rii
Olha Pilk @ Seaham Beach – RB67 / Kodak Gold
Ivy Knox @ Druridge Bay – Sony A7rii
Ivy Knox @ Druridge Bay – RB67 / Portra 400
Mike Cawley @ Druridge Bay – Sony A7Rii
Mushrooms – Nikon FG – Kodak Gold 200
Minerva – Rolleiflex 2.8e – Portra 160
Minerva – Nikkormat FT2 – Gold 200
Minerva – Nikkormat FT2 – Gold 200
Tractor – Rolleiflex 2.8e – Ilford HP5+
Throne – Rolleiflex 2.8e – Portra 160
Barter Books – Rolleiflex 2.8e – Ilford XP2
Sheltering – RB67 – Ilford HP5+
Mother & Child – RB67 – Fuji Pro400H
Leaf with Raindrops – RB67 – Ektar 100
Pipe Dream – RB67 – Portra 160
Driftwood and Moon – RB67 – Portra 160
Tide – RB67 – Portra 160
Open Sky – RB67 -Ektar 100
The Crags – RB67 – Portra 400
Newbiggin Spray – Canon 550D

Digital

Digital photography was my first introduction to photography as a hobby. While film has become a large part of my work, digital is still important to my workflow. Digital complements film as it’s more reliable counterpart, and when technical perfection is the goal.

Film

Film is what got me hooked on photography. Starting with 35mm and then moving to medium format, the tones, more considered workflow, character keep me shooting. The slower process makes me assess every shot in ways I can’t with digital.

Process

I like complete control of my film process. Selection of film stock and camera can drastically change the tone of potential compositions. I develop all my film myself, and use a DSLR scanning set up for perfect digitization of negatives. 120 film can reach around 100 megapixels with this technique.